Julia Bishop, David Atkinson, and Robert Young Walser
' ', Oral Tradition, 8/2 (2014).
David Atkinson, Julia Bishop, Elaine Bradtke, Eddie Cass, Thomas A. McKean, Robert Young Walser
(hriOnline, University of Sheffield, version 1.0: 2003, version 1.1: 2006, version 1.2 2008). Joint recipient of the Brenda McCallum Prize of the American Folklore Society, 2003, and awarded 8 out of 9 (excellent) in the Chartered Institute of Library and Information Professionals CILIP/Neilson Reference Awards - Electronic Formats, 2003.
Julia Bishop, David Atkinson and Robert Young Walser, 'The James Madison Carpenter Collection of Traditional Song and Drama', Oral Tradition, 28, no. 2 (2013), 307-16.
David Atkinson
The Anglo-Scottish Ballad and its Imaginary Contexts (Cambridge: Open Book Publishers, 2014). Winner of the Katharine Briggs Book Award 2014.
Co-edited with Steve Roud, Street Ballads in Nineteenth-Century Britain, Ireland, and North America: The Interface between Print and Oral Traditions (Farnham and
Burlington, VT: Ashgate, 2014).
'"William and Margaret": An Eighteenth-Century Ballad', Folk Music Journal, 10.4 (2014), 478-511.
'The Ballad and its Paradoxes', Folklore, 124 (2013), 123-38.
'"This Is England": Sense of Place in English Narrative Ballads', Victoriographies, 3.1 (2013), 1-22.
'Are Broadside Ballads Worth Editing?', Variants, 10 (2013), 235-55.
'Sound and Writing: Complementary Facets of the Anglo-Scottish Ballad', Twentieth-Century Music, 7 (2010), 139-65.
'Genetic Foundations for a Palimpsest Model of the Anglo-Scottish Ballad Text: Evidence from the J. M. Carpenter Collection', Folklore, 121 (2010), 245-67.
'A Brief History of Ballad Editing', in From 'Wunderhorn' to the Internet: Perspectives on Conceptions of 'Folk Song' and the Editing of Traditional Songs, ed. by Eckhard John and Tobias Widmaier, BASIS, vol. 6 (Trier: WVT, 2010), pp. 169-79.
'Topynymy of the Child Ballads: Problems of Representation in Written and Oral Texts', Folklore, 120 (2009), 253-73.
'Editing the Child Ballads: Agency, Intention, and the Problem of Version', Variants, 6 (2007), 123-62.
'Where Is the Ballad, and Why Do We Want So Many of Them? An Essay in Ontology', Lied und populäre Kultur/Song and Popular Culture, 54 (2009), 11-32.
'What did the people all say?': Ballad Editing and the Problem of Punctuation', in 35th International Ballad Conference SIEF Papers and Materials, ed. by Hannah Skrypnyk, Larysa Vakhnina, et al. (Kiev: National Academy of Sciences of Ukraine, Rylsky Institute for Art Studies, Folklore and Ethnology, 2009), pp. 272-87.
'From Text to Work: Reconceptualizing Folk Songs as Texts', in Dear Far-Voiced Veteran: Essays in Honour of Tom Munnelly, ed. by Anne Clune (Miltown Malbay: Old Kilfarboy Society, 2007), pp. 1-14.
With Julia C. Bishop, 'The Contributor as Collector: Ann Lyall and "The Fair Flower of Northumberland"', in Emily Lyle: The Persistent Scholar, ed. by Frances J. Fischer and Sigrid Rieuwerts, BASIS (Ballads and Songs - International Studies), vol. 5 (Trier: Wissenschaftlicher Verlag Trier, 2007), pp. 5-24.
'Editing Carpenter, Conceptualizing Folk Song Collections', in Ballad Mediations: Folksongs Recovered, Represented, and Reimagined, ed. by Roger deV. Renwick and Sigrid Rieuwerts, BASIS (Ballads and Songs - International Studies), vol. 2 (Trier: WVT, 2006), pp. 88-99.
'Folk Songs in Print: Text and Tradition', Folk Music Journal, 8 (2004), 456-83.
'Beyond Orality: Textuality and Tradition', in Ballads and Diversity: Perspectives on Gender, Ethos, Power and Play, ed. Isabelle Peere and Stefaan Top, BASIS 1 (Trier: WVT, 2004), pp. 41-47.
'"The Two Sisters": The International Ballad and a Version from the Carpenter Collection', in Visions and Identities,ed. Eydun Andreassen, Annales Societatis Scientiarium Færoensis, Supplementum 22 (Torshavn: Tungulist, [1996]), pp. 61-72.
Julia C. Bishop
Co-editor, with Steve Roud, The New Penguin Book of English Folk Songs (London: Penguin, 2012) [contains some songs from the Carpenter collection]
With David Atkinson, 'The Contributor as Collector: Ann Lyall and "The Fair Flower of Northumberland"', in Emily Lyle: The Persistent Scholar, ed. by Frances J. Fischer and Sigrid Rieuwerts, BASIS (Ballads and Songs - International Studies), vol. 5 (Trier: Wissenschaftlicher Verlag Trier, 2007), pp. 5-24.
' ' (Leeds: University of Leeds, 2005).
'Bell Duncan: "The greatest ballad singer of all time"?', Folksong: Tradition, Revival, and Re-Creation, ed. Ian Russell and David Atkinson, Occasional Publications, 3 (Aberdeen: Elphinstone Institute, 51cg, 2004), pp. 393-421.
'"The White Fisher": An Illegitimate Child Ballad from Aberdeenshire', The Flowering Thorn: International Ballad Studies, ed. by Thomas A. McKean (Logan: Utah State University Press, 2003), pp. 218-44.
'"Dr Carpenter from the Harvard College in America": An Introduction to the James Madison Carpenter and his Folklore Collection', Folk Music Journal 7.4 (1998): 402-20.
'The Ballad Tunes in the Carpenter Collection', Folk Music Journal 7.4 (1998): 450-70.
'Note on Referencing the James Madison Carpenter Collection', Folk Music Journal 7.4 (1998): 400-01.
'"The most valuable collection of Child ballads with tunes ever published": The Unfinished Work of James Madison Carpenter', in Ballads into Books: The Legacies of Francis James Child, edited by Tom Cheesman and Sigrid Rieuwerts (Bern: Peter Lang, 1997) 81-94.
Elaine Bradtke
'The Bidford Morris Repertoire: Charting the Development of a Re-invented Tradition', in Roots and Routes: Fiddle and Dance Studies from Around the North Atlantic 4, ed. by Ian Russell and Chris Goertzen (Aberdeen: Elphinstone Institute, 51cg, 2012), 34-50.
'Fiddle Tunes from Under the Bed: Extracting Music from Carpenter's Recordings', in Crossing Over: Fiddle and Dance Studies from Around the North Atlantic 3, ed. by Ian Russell and Anna Kearney Guigné (Aberdeen: Elphinstone Institute, 51cg, 2010), pp 35-48.
'When Worlds Collide: A Multiformat Ethnographic Field Collection Meets an Early Commercial Film in the Vaughan Williams Memorial Library', ARC Magazine [Society of Archivists], 239 (July 2009), 10-11.
'Sam Bennett: A Case Study in the English Fiddle Tradition from James Madison Carpenter's Ethnographic Field Collection', in Driving the Bow: Fiddle and Dance Studies from around the North Atlantic, 2, ed. by Ian Russell and Mary-Anne Alburger, Elphinstone Institute Occasional Papers (Aberdeen: Elphinstone Institute, 51cg, 2008), pp. 57-73.
'Sam Bennett and the Ilmington Tradition: New Evidence from the James Madison Carpenter Collection Cylinders', Fiddle On Magazine, 20 (2006), 8-13.
Eddie Cass
'James Madison Carpenter and George Baker: An Analytical Description of an Artistic Relationship', Folk Life, 52 (2014), 1-12.
'The James Madison Carpenter Collection of British Folk Plays', Folklore, 123 (2012), 1-22.
'The James Madison Carpenter Collection: Reflections on its Past and on its Future', in The Workings of the Anglosphere: Contributions to the Study of British and US-American Cultures, presented to Richard Stinshoff, ed. by Anton Kirchhofer and Jutta Schwarzkopf (Trier: WVT Wissencschaftlicher Verlag Trier, 2009), pp. 202-212.
'The Lower Heyford Folk Play. James Madison Carpenter's use of Dialect in his Cylinder Transcriptions', Folk Life, 45 (2007), 40-48.
' ', Traditional Drama Forum, 11 (2004).
' ', Traditional Drama Forum, 10 (2004).
'J. M. Carpenter, Ethel Rudkin and The Plough Plays of Lincolnshire', Folk Life, 41 (2003), 96-107.
'James Madison Carpenter: The Cataloguing of a Folklore Collection', Folk Drama Studies Today: Papers given at the International Traditional Drama Conference 19-21 July 2002, University of Sheffield, England, ed. by Eddie Cass and Peter Millington (Sheffield: Traditional Drama Research Group, University of Sheffield, 2003), pp. 197-206.
Thomas A. McKean
'The Dialect Conundrum in Transcribing Early Sound Recordings', in From 'Wunderhorn' to the Internet: Perspectives on Conceptions of 'Folk Song' and the Editing of Traditional Songs, ed. by Eckhard John and Tobias Widmaier, BASIS, vol. 6 (Trier: WVT, 2010), pp. 209-24.
Robert Young Walser
'Dreg Songs Lost...and Found', Folk Life: Journal of Ethnological Studies, 53.1 (2015), 19-35.
(Old and New Tradition, ONT2101, 2010, 798576483722). For reviews, see Publications Other.
' ', Folklife Center News 31.1-2 (Winter-Spring 2009), 13-14.
'Herding Folksongs', in Reiss, Joshua D. and Wiggins, Geraint A. Proceedings of the Sixth International Conference on Music Information Retrieval (London: University of London, Queen Mary, 2005), pp. 676-9.
'"Here We Come Home in a Leaky Ship!" The Shanty Collection of James Madison Carpenter', Folk Music Journal, 7.4 (1998), 471-95.