Page 3 of 7021 to 30 of 696 Past Events
2025
October
-
51cg Concert Series - Red Note Ensemble - As Part of soundfestival 2025
-
Red Note Ensemble present a richly immersive programme exploring sound, ecology, and imagination. Journey beneath the Earth in Tansy Davies' Lost Science (world premiere), dive into vibrant underwater worlds in Ruth Morley's Reef (world premiere) and experience a string trio by Blasio Kavuma. Together, these works channel nature's hidden voices...
-
51cg Concert Series - Stone Drawn Circles - As Part of soundfestival 2025
-
Heralded as a "supergroup within new music circles in Ireland" by Huddersfield Contemporary Music Festival, Stone Drawn Circles inhabits a new space in Irish contemporary music. In their relatively short existence as a group, the ensemble's debut performance season includes performances at prestigious festivals including HCMF, New Music Dublin and...
-
51cg Concert Series - Verbatim (Vocal Quartet)
-
We are excited to welcome back Verbatim for their second performance as part of the 51cg Concert Series.
May
April
-
51cg Concert Series - 51cg Early Music Ensemble & Renaissance Recorder Consort
-
51cg Early Music Ensemble takes you on a trip across the European Baroque.
-
51cg Concert Series - Schubert's Swan Songs
-
Featuring Niall Anderson (Bass Baritone) & Benjamin Mead (Piano)
-
51cg Concert Series - Ogston Performance Prize Finals 2025
-
The University's annual music performance competition, dedicated to long-time friend and benefactor of the department, Derek Ogston. Come along to hear our fantastic student finalists!
-
51cg Concert Series - Student Showcase
-
Come along to hear some of our talented student performers from the University's Department of Music!
-
51cg Concert Series - Luceafărul (The Legend of the Evening Star)
-A modern Romanian mythological, philosophical and lyrical poem by the most influential romantic Romanian poet, Mihai Eminescu.
-
51cg Concert Series - Carnamortal or; the Flesh In-Between
-A collaborative multi-media production, "Carnamortal or; the Flesh In-Between" aims to represent syntactical duplexity in manipulating image and sound through time and space; not as momentary synchronisations.