51cg

Professor Suk-Jun Kim

In this section
Professor Suk-Jun Kim
Professor Suk-Jun Kim
Professor Suk-Jun Kim

PhD in Composition; MMus (HONS) in Music Technology; Grad. Diploma in Art & Tech; BA in Theology

Personal Chair

Accepting PhDs

51cg
Email Address
s.kim@abdn.ac.uk
Telephone Number
+44 (0)1224 274618
Office Address

MR008 School of Language, Literature, Music and Visual Culture, 51cg MacRobert Building King's College Aberdeen AB24 5UA

School/Department
School of Language, Literature, Music and Visual Culture



Biography

A Korean Composer and sound artist, Suk-Jun Kim has his music published by ICMC, IMEB, and SEAMUS, and M&R.Kim has published two books, "Humming" by Bloomsbury and "Hasla" by Kehrer Verlag Heidelberg. His humming project has produced a solo CD titled "Humming" in 2019. His research also focuses on sound studies, immersive sound, phenomenological approaches to the aesthetics of electroacoustic music, space and place among others. Kim is full professor and personal chair of Electroacoustic Music and Sound Art and Director of Postgraduate Research, LLMVC at the 51cg.

Internal Memberships

Entreprise and Innovation Lead, LLMVC

Prizes and Awards

His music has received a number of international awards: Métamorphoses (Biennale Acousmatic Composition Competition in Belgium: 2000 & 2008), Regional Composition Prize at 2008 ICMC in Belfast, Concurso International de Música Electroacústica Såo Paulo (CIMESP: 2007), Bourges International Competition (2001),and mentions and finalists in MUSICA VIVA (2005) and MUSICA NOVA (2002 & 2005).

Kim also received commissions from the Bourges commissions (2002, 2006 & 2009), SpACE-Net in UK (2007), and has been a resident composer at Bourges (2004, 2007 & 2009), Visby International Centre for Composer, Sweden (2007 and 2015), Atlantic Center for the Arts, Florida (2007), and MacDowell Colony, New Hampshire (2008). Kim was a resident composer at Artists-in-Berlin, DAAD, Germany (2009).

Research

Research Overview

 

  • Electroacoustic music
  • Sound art
  • Sound studies
  • Immersive sound and composition
  • Futures of listening
  • Humming

Research Areas

Accepting PhDs

I am currently accepting PhDs in Music.

Please get in touch if you would like to discuss your research ideas further.

Music

  • Supervising
  • Accepting PhDs

Research Specialisms

  • Sonic Arts
  • Electronic Music
  • Music Technology
  • Music

Our research specialisms are based on the Higher Education Classification of Subjects (HECoS) which is , published under the licence.

Teaching
Publications

Page 1 of 2 Results 1 to 50 of 63

  • Syrian Humming Project

    Kim, S.
    Non-textual Forms: Exhibitions
  • 아득한 [adeukan] (Korean), adjective

    Kim, S. J.
    A Sound Word Almanac. Bloomsbury Publishing Plc., pp. 5-6, 2 pages
    Chapters in Books, Reports and Conference Proceedings: Chapters
  • 고요 [goyo] (Korean), noun

    Kim, S. J.
    A Sound Word Almanac. Bloomsbury Publishing Plc., pp. 28, 1 page
    Chapters in Books, Reports and Conference Proceedings: Chapters
  • Humming Project

    Kim, S.
    Non-textual Forms: Compositions
  • 빙빙: Being Being

    Kim, S.
    Non-textual Forms: Compositions
  • Home-البيت-집: Syrian Humming Project: Third Responses

    Kim, S., Khayat, S.
    Non-textual Forms: Compositions
  • (c)ovid's Metamorphoses

    Kim, S.
    Non-textual Forms: Compositions
  • We Are The Primitives of A New Era: Immersive VR Work

    Kim, S.
    Non-textual Forms: Compositions
  • An Audible Witness to History

    Kim, S.
    Non-textual Forms: Exhibitions
  • Impulse of Air: Sensing-based AR Sound Installation

    Kim, S.
    Non-textual Forms: Exhibitions
  • Humming: Electroacoustic music (musical CD)

    Kim, S.
    Non-textual Forms: Compositions
  • Crowd-sourcing the sounds of places with a web-based evolutionary algorithm

    Brownlee, A. E., Kim, S. J., Wang, S. H., Chan, S., Lawson, J. A.
    Chapters in Books, Reports and Conference Proceedings: Conference Proceedings
  • Humming

    Kim, S.
    Bloomsbury, New York. 176 pages
    Books and Reports: Books
  • 1948년의 유령들

    Kim, S., Kim, K., Heo, D.
    Non-textual Forms: Compositions
  • The Hum III for Brass Pots and Live Coding

    Kim, S.
    Non-textual Forms: Performances
  • The Hum II for Brass Pots and Live Coding

    Kim, S.
    Non-textual Forms: Compositions
  • A Question

    Kim, S.
    Non-textual Forms: Compositions
  • Hedda

    Kim, S., Newland, I., Steenhauer, K.
    Non-textual Forms: Performances
  • Humming Pots (sonADA Ver.)

    Kim, S.
    Non-textual Forms: Compositions
  • Sealed to Become

    Kim, S.
    Non-textual Forms: Compositions
  • Take to the Air

    Kim, S.
    Non-textual Forms: Compositions
  • Thin Lines

    Kim, S.
    Non-textual Forms: Compositions
  • This Hum (Yet Not a Hum)

    Kim, S.
    Non-textual Forms: Compositions
  • The Hum I for Baritone Saxophone and Live Electronics

    Kim, S.
    Non-textual Forms: Compositions
  • Leylines

    Kim, S.
    Non-textual Forms: Compositions
  • Motion Capture

    Kim, S., Connell, G.
    Non-textual Forms: Compositions
  • To Enin (Berlin)

    Kim, S.
    Non-textual Forms: Compositions
  • Four Landscapes

    Kim, S.
    Non-textual Forms: Compositions
  • Granite Sound

    Stollery, P. J., Kim, S., Cooke, P. A.
    Non-textual Forms: Compositions
  • Aberdeen Laughing: An audiovisual installation

    Kim, S.
    Non-textual Forms: Exhibitions
  • The Pagan's Feast

    Kim, S.
    Non-textual Forms: Compositions
  • The Passion

    Kim, S.
    Non-textual Forms: Compositions
  • The Point is This

    Kim, S., Newland, I.
    Non-textual Forms: Compositions
  • Voscillation

    Kim, S., Newland, I.
    Non-textual Forms: Compositions
  • Waiting for Oona

    Kim, S.
    Non-textual Forms: Compositions
  • Being Persistently in Place I: Union St., Aberdeen

    Kim, S.
    Non-textual Forms: Performances
  • Aberdeen Bestiary: Sound-Image-Narrative

    Kim, S., Stollery, P.
    Non-textual Forms: Compositions
  • Of the Caladrius

    Kim, S.
    Non-textual Forms: Compositions
  • Of the Owl

    Kim, S.
    Non-textual Forms: Compositions
  • Of the Wolf

    Kim, S.
    Non-textual Forms: Compositions
  • Three Types of Engagement with Place Through Acousmatic Listening and Composition

    Kim, S., Stollery, P., Whyte, R.
    Taking Part in Music: Case Studies in Ethnomusicology. Russell, I., Ingram, C. (eds.). 51cg: Elphinstone Institute, 15 pages
    Chapters in Books, Reports and Conference Proceedings: Chapters
  • Aberdeen Humming

    Kim, S.
    Non-textual Forms: Exhibitions
  • Down and Up

    Kim, S.
    Non-textual Forms: Exhibitions
  • Three Cities (Intermedia Installation)

    Kim, S.
    Non-textual Forms: Exhibitions
  • Three Returns

    Kim, S.
    Non-textual Forms: Compositions
  • Different Passings

    Kim, S.
    Non-textual Forms: Compositions
  • Time felt and places imaged in my compositions

    Kim, S.
    kunsttexte.de, vol. Auditive Persoektiven - Künstlerische Forschung, no. 2
    Contributions to Journals: Articles
  • A Critique on Pierre Schaeffer’s Phenomenological Approaches: Based on the Acousmatic and Reduced Listening

    Kim, S.
    Proceedings of the International Conference Pierre Schaeffer: mediArt. Ziherl, J. (ed.). Muzej moderne i suvremene umjetnosti/Museum of Modern and Contemporary Art, pp. 123-133, 11 pages
    Chapters in Books, Reports and Conference Proceedings: Chapters
  • Hasla

    Kim, S.
    Kehrer Verlag, Heidelberg, Germany. 87 pages
    Books and Reports: Books
  • Acousmatic reasoning: an organised listening with imagination

    Kim, S.
    Contributions to Conferences: Papers
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